Commission work often comes with its share of personal doubt.. "Can I capture this likeness, the glint in this eye, the angles of this particular mouth..? Will the person who knows this face best recognize it? Will I be able to create the illusion of life on a two-dimensional surface, without losing soul?"
Now for the first time ever, I faced the challenge of painting a fellow artist. With each brush stroke, I kept thinking of how he will be scrutinizing not just his likeness, but the technical execution of the drawing, the quality of the light in the paint, the successful risks taken or not taken, etc.
But, in the words of a famous Canadian, you gotta kick at the darkness 'till it bleeds daylight, right? Right.
This afternoon, I delivered the finished painting and I do believe that Edmund was pleased with it.
Anya = 1
Darkness = 0
Edmund, 11x14", oil on linen
(pardon the glare on the image)